“笔墨歌盛世丹青绘华章”——访华人艺术领袖肖海明

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国际新闻界本篇文章6765字，读完约17分钟

肖海明,生于1962年8月21日,江苏省苏州市吴江区人。国家一级美术师,齐白石门下第四代弟子,世界华人著名书画家刘仲文先生入室弟子。

Xiao Haiming was born on August 21, 1962 in Wujiang District, Suzhou City, Jiangsu Province. A national first-class artist, the fourth generation disciple of Qi Baishi, and a disciple of Liu Zhongwen, a famous Chinese painter and painter in the world.

肖海明作品

现为中国书法家协会会员,中央国家机关书法家协会会员,中国榜书法家协会副主席,中国榜书法家协会江苏分会主席,中国军事文化研究书画院副院长,中联国兴书画院安徽省分院艺术顾问,中国铁建铁道兵文联江苏省书画院名誉院长。

Now he is a member of Chinese Calligraphers Association, Central State Organs Calligraphers Association, Vice Chairman of Chinese Calligraphers Association, Chairman of Jiangsu Branch of Chinese Calligraphers Association, Vice President of China Military Culture Research Painting and Calligraphy Institute, Art Consultant of Anhui Branch of Zhonglian Guoxing Painting and Calligraphy Institute, Honorary Dean of Jiangsu Painting and Calligraphy Institute of China Railway Construction, Railway Corps and Literary Federation.

肖海明作品

鸾舞蛇惊写丰神落花飞雪书茫茫

Luan dancing snake surprised to write the vast book of abundant gods falling flowers and flying snow

——记著名书法家肖海明

-Remember the famous calligrapher Xiao Haiming

书法气韵为上神采为先,篆书隶书楷书行书草书,五体之法都要讲恣意抒情的翰墨飞动。写规矩莫若楷书,写丰神莫若草书。当代著名书法家肖海明先生五体兼修,又特有草书抒情的笔墨丰神,他作草书上追晋代书法的书卷气息,续写当代书法的抒情悦目,成为当代书坛写意草书回归盛唐气象的大手笔。

The charm of calligraphy comes first, the cursive script of official script, regular script and cursive script, and the five-body method should talk about the flying of lyrical calligraphy. Write regular script for rules and cursive script for abundant gods. Mr. Xiao Haiming, a famous contemporary calligrapher, is both a five-body scholar and a unique cursive lyrical pen and ink. His cursive script traces the scroll atmosphere of Jin Dynasty calligraphy, continues to write lyrical and pleasing to the eye of contemporary calligraphy, and becomes a big hand in the contemporary calligraphy circles to return to the prosperous Tang Dynasty.

肖海明作品

他的书法磨练走过了一条深师传统法帖的正大路径,全面吸纳章草的形断意联和今草的一笔书就。更有怀素草书的以癫济张,吸百家精化,立自体之面目,是传承与创新双力驱动的功成。古人饮酒以养性,肖海明以草书畅志,兴发之际执笔墨凌空杀纸,意在笔先写秋鹰逐兔临危据槁!所以他的草书意象非常丰富,形态多姿令人眼花缭乱,飞动传神大有仰观宇宙之大,附察万类之盛的笔墨倾情。仰而观之,恰是飘风骤雨惊飒飒,落花飞雪何茫茫的磅礴淋漓!

His calligraphy training has gone through a fair path of deep learning from traditional legal posts, fully absorbing Zhang Cao's combination of form and meaning and a book of this grass. Even more, Huai Su's cursive script, which is driven by both inheritance and innovation, is to benefit from epilepsy, absorb hundreds of refinements and establish its own face. The ancients drank alcohol to nourish themselves, and Xiao Haiming made great achievements in cursive script. When he was flourishing, he held pen and ink to kill paper in a volley, aiming at writing the autumn eagle to meet the danger by rabbit. Therefore, his cursive images are very rich, the forms are dazzling, and the flying and vivid images are great for looking up at the universe, with the abundant words and expressions of all kinds. Looking up, it's just the rustling of the wind and rain, and the boundless majestic dripping of the fallen flowers and snow!

肖海明作品

草书得笔法可得精髓,他磨砺笔法炉火纯青。执笔妙在自如,不使拘挛,经宣州石砚的墨色辉照,挥洒惊电,眨眼而就,写成惊蛇入草的神飞逸动,使转似风动,铰笔是灵动,锋出八面,快然自得!放手写心的笔墨体验,让草书笔法洒脱无滞碍,把草书线条的性灵飞动表现得无以复加。张旭草书的肥腴之态有之,怀素草书的瘦硬之劲有之,所以肥瘦相宜,刚柔相济。笔笔有要妙,妙在自然,行云流水恰是笔墨畅神的典范。

The brushwork of cursive script can get the essence, and he honed his brushwork to perfection. It's wonderful to write freely, not to make it cramped. After the ink of Xuanzhou inkstone shines, it throws off the electricity and blinks, and it is written as a stunning snake flying in the grass, making it turn like the wind, reaming the pen is clever, and it's full of happiness! Let go of the pen and ink experience of the heart, let the cursive brushwork free and easy without hindrance, and show the soul and spirit of cursive lines beyond measure. Zhang Xu's cursive script is full of fatness, while Huai Su's cursive script is full of thinness, so it is suitable for being fat and thin. Pen and pen are wonderful, and they are wonderful in nature. Flowing clouds and flowing water is just a model of smooth writing.

肖海明作品

他写草书有心手双畅智巧双优的体验和积淀。所谓巧,既是法度之巧妙。肖海明先生有丰富而扎实的草书法度修养,草书在法度严谨的加持下,表现传统草书的正大气象,避免了草书写江湖的流弊,绝不有草书不入格神仙不认得的尴尬。有严谨法度为保障,再抒发个人才智,就容易把心之所想传达于手,再经手而达毫梢,正是心笔合一的无碍畅达。一划之间变起伏于锋梢,一点之内殊衄于毫芒,书谱之论,一一习就!草书写到这般境界,便是我师此意不师古的独领风骚。

He wrote cursive script with the experience and accumulation of both fluency, intelligence and ingenuity. The so-called cleverness is the cleverness of testimonies. Mr. Xiao Haiming has a rich and solid cultivation of cursive script. With the blessing of rigorous script, cursive script shows the grand atmosphere of traditional cursive script, avoids the abuse of cursive writing in Jianghu, and never has the embarrassment that cursive script is out of place and gods don't recognize it. With rigorous testimonies as the guarantee, expressing one's personal intelligence, it is easy to convey one's heart's thoughts to one's hands, and then handle them to the end. It is the unity of heart and pen that is unimpeded. Between a stroke, the ups and downs of the Feng Yu tip, within a little, are extremely different from the milli-mans, and the theory of the book spectrum can be learned one by one! When cursive script is written in this realm, it means that I will take the lead in learning from this meaning.

肖海明作品

鸾舞蛇惊写丰神,落花飞雪书茫茫。先生不但有笔走龙蛇的草书才华,还有劲笔神墨写浑然磅书的大家功。他的榜书雄浑盎然,浑而不呆,劲而不板,在鸿飞兽骇的粗线条表现中,又有纤纤如新月之出天涯的细节完美,所以能把榜书写的活灵活现,细节生动,并非粗头乱服糊涂乱抹。写榜书精湛于笔墨的宏大和精巧,题屏障刻摩崖,果然是正大气象,龙吟虎啸!让我们仍旧可以在当代书法之林寻觅到到天下第一雄关的题壁气势!他的榜书不只是写大而已,而是充满了文化的弘丰气象,风神而生,烈烈而成,笔走龙蛇惊神鬼,游目骋怀写乾坤!唯有大家修为,才可以表现这大家风范!

著名书画评论家罗成 2020年1月16日

Luan dancing snake surprised to write abundant gods, and the fallen flowers and snow books are boundless. Mr. Wang not only has the cursive talent of walking away from dragons and snakes, but also has the great merit of writing books in pounds with magic ink. His list is vigorous, muddy but not dull, strong but not stiff, and in the bold line performance of Hongfei beast, the details of the world are as delicate as the new moon, so he can write the list vividly, with vivid details, instead of being confused and confused. Writing the second list is exquisite in the grandeur and exquisiteness of the pen and ink, and the barrier is carved on the cliff. It's really a fair weather, with dragons and tigers whistling! Let us still find the imposing manner of the title wall that is the best in the world in the forest of contemporary calligraphy! His second book is not just written in a big way, but is full of culture and abundant weather. It is born with wind and spirit, and becomes fierce and fierce. Only when you cultivate, can you show your demeanor!

Famous painting and calligraphy critic Luo Cheng January 16, 2020